Unsur Jawa dalam Iluminasi Al-Qur’an

Ragam Hias Wedana dalam Mushaf Pura Pakualaman

  • Hanan Syahrazad Universitas Gadjah Mada Yogyakarta
Keywords: Ancient Qur’an manuscript, Java, ornament, Pura Pakualaman, the Qur’an

Abstract

The paper aims at knowing the visual forms and decorations found in the Qur’an manuscripts being copied at Pura Pakualaman, Yogyakarta, which are described by using the visual unit model of craft art. The manuscripts of the Pura Pakualaman collection are stored in the Pura Pakualaman library, including the five Qur'an manuscripts. Two of them have a variety of decorations, namely one mushaf with a decorative wedana renggan, and the other mushaf with an ornamental wedana gapura renggan with a variety of flora decorations. Unlike the Pura Pakualaman manuscripts in general, which have a philosophical connection between the text and its decoration, the ornaments found in this manuscript do not have a meaningful relationship between the text of the Qur’an verse and the decorations that surrounded it. The ornamental variety of wedana renggan and wedana gapura renggan that appear in the Qur'an manuscripts shows the influence of the Javanese script writing tradition in the copying the Qur'an manuscripts in Java, especially at the Pura Pakualaman.

Downloads

Download data is not yet available.

References

Manuskrip

Mushaf Al-Qur’an Is.1 koleksi Perpustakaan Pura Pakualaman.

Naskah Turutan Is.14 koleksi Perpustakaan Pura Pakualaman.

Buku dan Artikel Jurnal

Ali Akbar. 2010. “Mushaf Sultan Ternate Tertua Di Nusantara: Menelaah Ulang Kolofon.” Lektur 8(2).

——. 2014. “Manuskrip Al-Qur’an Dari Sulawesi Barat: Kajian Beberapa Aspek Kodikologi.” Suhuf: Jurnal Pengkajian al-Quran dan Budaya 7(1).

——. 2015. “Kaligrafi Dan Iluminasi Dalam Mushaf Al-Quran Kuno Nusantara.” In Keagungan Mushaf Al-Quran Nusantara, Jakarta: Lajnah Pentashihan Mushaf Al-Quran Badan Litbang dan Diklat Kementerian Agama RI, 9–18.

Beal, Peter. 2008. A Dictionary of English Manuscript Terminology 1450-2000. Oxford: Oxford University Press.

Dzul Haimi Md. Zain, Syed Omar, Md. Yusoff Othman, and Muliyadi Mahmood. 2007. Ragam Hias Al-Qur’an Di Alam Melayu. Kuala Lumpur: Utusan Publications & Distributors Sdn Bhd.

Edi Sedyawati, I. Kuntara Wiryamartana, Sapardi Djoko Damono, and Sri Sukesi Adiwimarta, eds. 2001. Sastra Jawa: Suatu Tinjauan Umum. Jakarta: Balai Pustaka.

al-Faruqi, Ismail Raji. 1999. Seni Tauhid: Esensi dan Ekspresi Estetika Islam. Yogyakarta: Bentang.

Gallop, Annabel Teh. 2012a. “The Art of the Malay Qur’an.” Arts of Asia: 84–95.

——. 2012b. “The Art of the Qur’an in Java.” Suhuf: Jurnal Pengkajian al-Quran dan Budaya 5(2): 215–29.

Guntur. 2004. Ornamen (Sebuah Pengantar). Surakarta: P2AI bekerja sama dengan STSI PRESS Surakarta.

Isa, Ahmad Muhammad. 1988. “Muslim Dan Taswir.” In Seni Di Dalam Peradaban Islam, Bandung: Penerbit Pustaka, 41–70.

Julius Felicianus Tualaka et al. 2016. Jumeneng Dalem Kanjeng Gusti Pangeran Adipati Arya Paku Alam X “Pengemban Kebudayaan.” Yogyakarta: Panitia Jumeneng Dalem KGPAA Paku Alam X.

Sri Ratna Saktimulya. 2016. Naskah-Naskah Skriptorium Pakualaman Periode Paku Alam II (1830-1858). Jakarta: Kepustakaan Populer Gramedia.

Wieringa, Edwin P. 2009. “Some Javanese Characteristic of A Qur’an Manuscript from Surakarta.” In From Codicology to Technology, eds. Stefanie Brinkmann and Beate Wiesmuller. Berlin: Frank & Timme.

Wiyoso Yudoseputro. 1986. Pegantar Seni Rupa Islam Di Indonesia. Bandung: Penerbit Angkasa

Published
2021-06-30
How to Cite
Syahrazad, H. (2021). Unsur Jawa dalam Iluminasi Al-Qur’an. SUHUF, 14(1), 223-244. https://doi.org/10.22548/shf.v14i1.633
Section
Articles